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NewsĀ  /Ā  20th April 2021

The Masterclasses online: what we learned on the first day

One of the sessions of The Masterclasses online

The Masterclasses online: what we learned on the first day

On Monday 19 April, National Geographic Traveller (UK) kicked off The Masterclasses online with some of the basics of travel writing and photography.

National Geographic Traveller associate editor Sarah Barrell quizzed a panel of travel writers and editors ā€” Adrian Phillips, Amelia Duggan, Jamie Lafferty and Monisha Rajesh ā€” on how to begin, structure and end a travel feature effectively. The following class, all about shooting people and places, saw photographers Yulia Denisyuk, Ben Weller and Karolina Wiercigroch share presentations on their tips and tricks, with National Geographic Traveller art director Becky Redman and art editor Lauren Atkinson-Smith on hand to lead the discussion and answer questions.

Here are some of the best takeaways from the evening:

How to write a travel feature ā€” from start to finish

Grab you readersā€™ attention in the introduction
ā€œChuck readers right in the heart of a risky piece of action and ask them to follow you on from there,ā€ said Adrian Phillips ā€” especially if youā€™re writing in the present tense. Another tip is to start with your very best material, suggested Amelia Duggan: ā€œIf it captured your heart, maybe it will capture the imagination of the reader.ā€

Donā€™t forget to enjoy your trip
ā€œWhen I travel, I donā€™t even think about the writing side of it until I get back,ā€ said Monisha Rajesh. ā€œI like to feel Iā€™m enjoying a trip the way a reader would, and I often find if I get too bogged down in making notes, recording things or looking really hard for them, I miss the really natural detail that just comes to you as you just observe things as a traveller.ā€

Quotes should elevate your readersā€™ understanding of a destination
ā€œYou should never quote anyone whoā€™s giving you Wikipedia-style facts,ā€ said Jamie Lafferty ā€” save the history dump for elsewhere in the feature. And when youā€™re interviewing someone, he said, make sure to make a note of the time on the recorder when you hear something interesting. Transcribing can be torturous, and that can help save time.

Having strong themes in your piece can help your ending
ā€œThe way I tackle endings is by having clear themes throughout the piece and being clear about those at the start,ā€ said Amelia Duggan, ā€œso that, when I get to the end, there are some loose ends to just tie up.ā€ When you reach the end of your feature, she added, think about whether youā€™ve done the destination justice, and let that guide you to a safe landing.

How to shoot people and places

Always ask for permission
ā€œThe camera doesn’t lie,ā€ said Yulia Denisyuk. ā€œWhen youā€™re stealing somebodyā€™s image, the camera sees that.ā€ With that in mind, ask permission before taking someone’s picture and make sure everyone’s aware of what’s happening. If youā€™re unsure how to do it, try learning a few phrases in the local language ā€” a little effort goes a long way.

Develop a relationship with your destination
ā€œReturn to a place at different times of day, different seasons, keep in touch with contacts, let them know what youā€™re up to and ask them to keep you informed,ā€ said Ben Weller. It will help you understand the people and place better, so pursue a long-term project in one place if you can ā€” you don’t always have to travel to take travel photographs.

Shoot people while they do something they love
ā€œThat will probably make them forget about you and your camera, which is what I want,ā€ said Karolina Wiercigroch. Giving them something to do, even if itā€™s just serving tea, can also help: they won’t have to pose, and itā€™s a great way to introduce more colour to your story, showcasing the person, the environment and the craft.

Shoot your local area
National Geographic Traveller art editor Lauren Atkinson-Smith said the magazine is always looking for local photographers ā€”Ā and even more so right now, as travel isnā€™t really an option at the moment. ā€œIt also adds something,ā€ she said. ā€œIf you know the place, you might have some great inside knowledge about where to find the best light at a certain time of day and things like that.ā€

Want to learn more? Thereā€™s still time to book a ticket for Tuesdayā€™s and Wednesdayā€™s sessions ā€” visit the website for more information.